Aged Wine

Sherwin-WilliamsSW 6299LRV 13#895460
LRV13 — deep
Undertonered · earthy · warm · purple
FamilyReds, Oranges & Terracottas
Best roomsaccent wall · dining room · living room
In the Room

What Aged Wine Actually Looks Like

Aged Wine SW 6299 reads like a dusty, dried-berry red that feels both warm and slightly moody. It sits in that territory between a true burgundy and a muted mauve, carrying enough brown to keep it grounded and sophisticated rather than bold or saturated. In bright daylight it leans closer to a warm rosewood, while in dimmer or north-facing rooms the purple side comes forward and gives it a quieter, more contemplative feel. With an LRV of 12.5, this is firmly a deep color. It absorbs a lot of light, so it reads richest in rooms with good natural or layered artificial light. On a swatch it may look almost neutral, but once it covers a full wall, the red warmth becomes unmistakable.

Undertone Read

Aged Wine Undertones

The undertone conversation around Aged Wine is a real one. Most observers agree that the dominant undertone is red, but it is a dusty, desaturated red rather than anything punchy or cherry-like. Beyond that, there is a clear earthy brown component that keeps it from veering into lipstick territory. Where designers tend to split is on how much purple you actually see. In cooler light or against a crisp white trim, the purple becomes more noticeable, almost like a wine stain. Under warm incandescent bulbs, the red and brown take over and the purple nearly disappears. The safe summary: expect red first, earthiness second, and a purple whisper that shifts depending on your lighting and surrounding palette.

Where It Works Best

Where Aged Wine Works Best

This is a color that rewards intentional placement. Use it on a single accent wall in a living room or dining room to create a sense of warmth and enclosure without painting the whole space dark. It works beautifully in rooms where you gather in the evening, since warm artificial light really brings out its rosy, aged quality. On exteriors, Aged Wine makes a strong front door color or a rich body color on historic or cottage-style homes, especially when paired with a warm cream or soft stone trim. Because the LRV is 12.5, avoid using it in small rooms with little natural light unless you want a deliberately cocooning, intimate effect. Powder rooms can handle it. Hallways generally cannot.

Room by Room

Where to put Aged Wine

Accent Wall

Aged Wine is at its best as an accent wall color. Paint the focal wall behind a sofa or headboard and keep the remaining walls in a warm neutral. The color draws the eye without overwhelming, and it acts as a backdrop that makes warm-toned art, wood frames, and textiles pop.

Dining Room

In a dining room, Aged Wine creates that candlelit, convivial atmosphere you want for evening meals. Under warm lighting, the red undertones become the star and the purple recedes to a subtle warmth. Pair it with a lighter ceiling color to keep the room from feeling too compressed.

Living Room

Use Aged Wine on a fireplace wall or built-in surround to anchor a living room. It brings a sense of history and weight to a space, especially alongside leather furniture, warm woods, and textured fabrics like linen or wool. Keep larger surfaces lighter to maintain balance.

Exterior

On a front door, Aged Wine reads distinguished and slightly unexpected, a step away from the usual red or black. As a full exterior body color, it suits traditional homes with lighter trim, though you will want to test a large sample first. Direct sunlight warms it considerably and can shift the read toward a rosier hue.

What to Pair With

What to Pair With Aged Wine

Aged Wine benefits from trim and accent colors that either contrast its depth or echo its warm earthiness. A warm off-white trim lifts the color without creating a jarring break, while a soft gold or aged brass in hardware and lighting fixtures plays into the warmth naturally. For a moodier scheme, try pairing it with a deep olive or charcoal gray on adjacent surfaces.

Compare

Aged Wine vs similar colors

All comparisons are matched against Aged Wine at LRV 12.5.

What to Avoid

Colors that clash with Aged Wine

Cool gray walls next door

Placing Aged Wine beside a blue-toned cool gray can create a visual clash where the red undertones fight the blue undertones, making both colors look muddy or unintentional.

FixSwap the cool gray for a warm greige or taupe. A warm neutral respects Aged Wine's red and earthy base and lets both surfaces coexist comfortably.
Bright white trim that is too stark

A pure, cool white trim can make Aged Wine's deep warmth look even darker and more isolated, creating a harsh jump between wall and trim that reads choppy rather than elegant.

FixUse a warm or creamy white for your trim instead. The slight warmth in the white bridges the contrast and makes the transition feel intentional.
Orange-heavy accents

Pairing Aged Wine with saturated orange decor can pull out the brown and red undertones too aggressively, creating a look that skews muddy and one-note rather than layered.

FixTrade the orange for muted gold, warm brass, or a dusty terracotta. These share warmth with Aged Wine but add enough tonal variety to keep the palette interesting.
FAQ

Common questions

Aged Wine has an LRV of 12.5, placing it firmly in the deep range. It absorbs a lot of light, so it works best in rooms with ample natural or layered artificial lighting.

Most people read Aged Wine as red first, with earthy brown and a secondary purple undertone. Under cooler lighting and against white surfaces, the purple becomes more visible. Under warm lighting, the red and brown dominate.

A warm off-white or creamy white trim pairs best. Avoid stark, cool whites, which create too sharp a contrast. A warm white softens the transition and lets Aged Wine's richness come through naturally.

You can, but go in with realistic expectations. At LRV 12.5, it absorbs light and will make a small space feel cozy and enclosed. Powder rooms and small dining rooms handle this well. Narrow hallways and closets usually feel too dark.

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