Farrow & Ball does not publish LRV; this value is estimated from the color’s hex using standard relative-luminance calculation. The matte estate finish typically reads lower.
New White is one of those colors that reads as "white" on the card but lands as a rich, warm cream on your walls. It has a noticeable golden warmth that separates it from cooler, chalkier whites. Think of it as the color of heavy cream just starting to catch afternoon sunlight.
In bright, south-facing rooms, New White can glow almost buttery. In north-facing spaces or on overcast days, it settles into a softer, more honeyed tone without ever feeling dingy or gray. The warmth is always present, but it shifts in intensity depending on how much natural light the room gets.
On a fan deck, you might mistake it for a plain white, but once it covers a full wall, the warm base becomes obvious. It never looks stark. If you are after a white that feels lived-in and easy from the moment you roll it on, this is a strong candidate.
The dominant undertone in New White is orange, which gives it that creamy, golden quality. It is not a peachy orange. Think more along the lines of raw linen or natural beeswax. That warmth is what keeps the color from ever reading cold or clinical.
In rooms with a lot of warm artificial light, the orange undertone can push forward and make the walls feel almost like a pale gold. Under cooler LED bulbs or in shaded rooms, the orange recedes a bit, and a softer yellow warmth takes its place. Either way, the color stays firmly on the warm side of the spectrum.
If you compare it to a true bright white, you will immediately see the yellow-orange cast. This is intentional. New White was designed to be a warm neutral, not a bleached-out backdrop. It plays well with natural wood tones and warm metals precisely because of that underlying warmth.
New White works beautifully as a whole-house color. Its warmth ties rooms together without the monotony you can get from a flat white. Hallways, landings, and connecting spaces all benefit from its ability to bounce light while still feeling grounded.
It is a natural choice for trim and millwork, especially when your wall color is a deeper warm neutral like String (No. 8) or Cord (No. 16). Used on baseboards, door frames, and crown molding, New White adds a gentle contrast that looks intentional rather than jarring.
Kitchens and living rooms are particularly good fits. In a kitchen, the warm tone keeps the room from feeling sterile under task lighting. In a living room, it acts as a quiet backdrop that lets furnishings and art do the talking.
New White is one of the best whole-house colors in the Farrow & Ball range. It reads as a warm, cohesive neutral from room to room, adapting to different light conditions without ever looking out of place. Use it on walls and ceilings throughout for a unified feel.
On trim, New White gives you a warmer alternative to stark white. It is especially effective when paired with mid-tone walls like String or Cord, where it provides contrast without the harshness of a cool white. Excellent on baseboards, architraves, and built-in shelving.
In a kitchen, New White keeps the space feeling warm and inviting under both natural and artificial light. It works on cabinets, walls, or both. Pair it with brass or unlacquered copper hardware to lean into the golden undertone.
New White gives a living room a relaxed, layered warmth that feels more considered than plain white. It is a strong choice if your room has a lot of natural wood, warm textiles, or earthy tones in the furniture. It recedes just enough to let everything else shine.
In a bedroom, New White creates a calm, enveloping warmth. It reads soft and restful in low evening light and fresh in the morning. Try it on all four walls with White Tie on the ceiling for a subtle tonal shift that adds quiet depth.
New White's warm undertone means it pairs most naturally with colors that share some of that golden base. String (No. 8) and Cord (No. 16) are classic companions, both sitting in the same warm neutral family but with more depth and earthiness. Use either on walls with New White on the trim for a layered, tonal look.
For contrast, Vardo (No. 288) brings a bold teal-green that plays off the warm cream beautifully. India Yellow (No. 66) amplifies the golden character of New White and works well as an accent on a single wall or on furniture. White Tie (No. 2002) is the go-to if you need a slightly cooler, quieter white alongside New White, useful for ceilings when you want the walls to feel a touch warmer by comparison.
Pairing New White with a cool blue-gray can make both colors look off. The warm orange base of New White clashes with cool blue undertones, making the white look yellowed and the gray look icy.
Putting New White on walls next to a stark, blue-based white on trim makes the walls look dirty or aged by comparison. The contrast highlights the orange undertone in an unflattering way.
Hot pink or magenta accessories against New White can create a jarring combination. The orange warmth of the wall fights the cool, blue-red base of those pinks.
New White has a warm, orange-leaning undertone. It reads as a creamy, golden off-white rather than a cool or neutral white. In warm light, the orange becomes more pronounced. In cooler light, it softens to a gentle yellow warmth.
New White is decidedly warm. Its orange and yellow undertones place it firmly on the warm end of the white spectrum. It will never read as icy, blue, or gray. If you need a cooler white from Farrow & Ball, look at options in their cool-toned white range instead.
New White pairs naturally with other warm neutrals like String (No. 8) and Cord (No. 16) for a layered, tonal scheme. For contrast, Vardo (No. 288) offers a striking teal counterpoint, while India Yellow (No. 66) amplifies its golden warmth. White Tie (No. 2002) works well on ceilings when New White is on the walls.
Estate Emulsion is the most popular finish for New White on walls and ceilings. It gives a chalky, matte look that enhances the color's warmth and depth. For trim and woodwork, use Estate Eggshell or Full Gloss for durability. In kitchens and bathrooms, Modern Emulsion offers a wipeable alternative.
The hex code for Farrow & Ball New White (No. 59) is #EFE6CF, and its light reflectance value (LRV) is 79.4. That high LRV means it reflects a lot of light, making it a good choice for brightening rooms while still maintaining visible warmth.
Yes, New White is one of the best whole-house options in the Farrow & Ball lineup. Its warm undertone stays consistent as you move between rooms with different light exposures, giving you a unified look without the flatness of a pure white. It works equally well on walls, ceilings, and trim.
