Vermilion

Benjamin Moore2002-10LRV 15#CF312B
LRV15 — dark
In the Room

What Vermilion Actually Looks Like

Vermilion 2002-10 is a high-chroma, warm red with a clear orange lean. It reads as a classic fire-engine red in bright daylight but shifts toward a deeper brick-red in low or artificial light. This is not a shy color. It commands the room from the moment you apply it, and it stays visually active at nearly every hour of the day.

Undertone Read

Vermilion Undertones

The dominant undertone is orange, which keeps Vermilion from reading as a cool or blue-based red. In warm incandescent light, that orange pull intensifies and the color can feel almost amber-edged at the perimeter. In cool north-facing light, the orange settles back and the color reads closer to a true, dense red. It does not veer purple or pink under any typical interior lighting condition.

Where It Works Best

Where Vermilion Works Best

Vermilion works well where intensity is intentional. A front door is the most practical application for most homeowners, giving the color a contained canvas and serious curb presence. It also works on a single accent wall in a dining room or living room, where the energy of the color supports gathering and conversation. Small powder rooms are another strong use: the confined space leans into the drama rather than fighting it. Bedrooms and home offices where sustained focus matters are harder applications, and large open-plan spaces can feel overwhelming if Vermilion covers more than one surface.

Room by Room

Where to put Vermilion

Front Door

A front door is where Vermilion earns its keep most reliably. The exterior context, natural light, and contained surface area let the color do its job without overwhelming anyone. It holds up in both full sun and overcast conditions and reads as intentional and confident rather than loud.

Dining Room

Vermilion on a single dining room wall creates warmth that flatters skin tones under candlelight and warm-white fixtures. Keep the remaining walls and ceiling in a clean off-white or soft neutral so the red has room to breathe without boxing everyone in.

Powder Room

A powder room is a low-commitment, high-reward space for a color this intense. Guests encounter it briefly, which is exactly the right dose. Using Vermilion on all four walls here is completely reasonable, and the small volume keeps the color feeling curated rather than aggressive.

Accent Wall

A single accent wall in a living room gives you the visual punch of this color without saturating your entire field of view. Choose the wall behind a sofa or fireplace, and keep furnishings in neutral or earthy tones to avoid a busy result.

What to Pair With

What to Pair With Vermilion

No coordinating colors are specified in our database for this color, but the principles are straightforward. Vermilion pairs best with neutrals that do not compete with it. Crisp whites with no yellow bias let the red read cleanly. Deep charcoals and near-blacks ground it without muddying the tone. Natural wood tones in medium to dark ranges complement the warmth. Avoid pairing with other saturated colors, and be cautious with cool grays, which can make the orange undertone look unintentional.

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What to Avoid

Colors that clash with Vermilion

Cool Gray Walls Nearby

If adjacent rooms or trim are painted in a cool or blue-based gray, the orange undertone in Vermilion will look unplanned next to it. The two color temperatures actively fight each other at the transition.

FixSwitch any neighboring neutral to a warm greige or a true white with no blue bias so the transition feels considered.
Warm Yellow or Orange Accents

Bringing in golden-yellow or bright orange furnishings and textiles alongside Vermilion creates a clash that reads as unresolved rather than energetic. The colors compete in the same warm zone without enough contrast to separate them.

FixGround the room with deep neutrals, black, natural linen, or dark walnut tones instead of adding more warm-spectrum color.
High-Gloss Finish in Large Rooms

A high-gloss finish on a large wall amplifies both the color saturation and any surface imperfections. In a big room, this combination can feel relentless and slightly industrial rather than refined.

FixUse an eggshell or satin finish on large wall surfaces. Reserve higher sheens for trim or exterior doors where durability and containment make gloss appropriate.
FAQ

Common questions

The LRV is 15.26, which puts it in the dark range. It absorbs significantly more light than it reflects, so it will make a room feel smaller and moodier. In small rooms without strong natural light, plan your lighting carefully so the space does not feel cave-like.

Vermilion 2002-10 is available in both Benjamin Moore retail locations and through authorized independent dealers. You can order it in interior and exterior formulas depending on your application.

Deep reds in this range almost always need at least two coats over a properly primed surface, and three coats are not unusual when covering a lighter or dramatically different existing color. Ask your retailer about a tinted primer in a warm mid-tone red to reduce the number of finish coats required.

Yes, it is available in exterior formulas. It performs well on front doors and shutters. On larger exterior surfaces like full siding, the saturation can be visually intense, so test a sample panel and view it at different times of day before committing.

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