Strawberry Red

Benjamin Moore2003-20LRV 16#C33D3D
LRV16 — dark
In the Room

What Strawberry Red Actually Looks Like

Strawberry Red is a bold, saturated red that lands squarely in true-red territory. It reads as a confident, fruit-toned red in most light conditions, neither leaning heavily orange nor veering into cool raspberry. In bright daylight it is vivid and upfront. In dim or artificial light it deepens noticeably, pulling toward a richer, darker red that feels more intense and enclosed.

Undertone Read

Strawberry Red Undertones

This color sits close to the center of the red spectrum. It carries very slight warmth, which keeps it from reading as a cool or bluish red, but it is not as orange-leaning as a tomato red. The warmth is subtle enough that in most rooms it simply reads as red, full stop.

Where It Works Best

Where Strawberry Red Works Best

Because of its relatively low light reflectance, Strawberry Red absorbs a fair amount of light. That makes it a strong candidate for spaces where you want drama and enclosure rather than openness. A dining room, a powder room, or a front door are natural fits. It can work as an accent wall in a living space where you want one plane to command attention. Avoid using it in a room where you are relying on the walls to bounce light and keep the space feeling airy.

Room by Room

Where to put Strawberry Red

Dining Room

A saturated red at this depth is one of the most historically proven dining room choices. It creates a sense of warmth and intimacy that flatters candlelight and makes a dinner table feel like a destination. Keep the ceiling and trim crisp white to give the room breathing room.

Powder Room

A small, windowless powder room is exactly where a bold red like this can go all-in. The low LRV is not a liability in a room that has no natural light expectations, and the drama works entirely in your favor.

Front Door

Strawberry Red reads as a welcoming, classic red on an exterior door. It has enough warmth to avoid looking cold or flat in overcast conditions, and in full sun it holds its vibrancy well.

Accent Wall

One wall in a living room or bedroom can carry this color effectively if the remaining three walls are a much lighter neutral. Pair it with natural wood tones and off-white or linen shades to keep the room from feeling too intense.

What to Pair With

What to Pair With Strawberry Red

No specific Benjamin Moore coordinating colors are listed in our database for this color, so pairings below are based on established color principles for a saturated true red at this depth.

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What to Avoid

Colors that clash with Strawberry Red

Cool Gray Walls Nearby

If an adjacent room is painted in a cool blue-gray, the warmth in Strawberry Red can create an uncomfortable visual tension at the transition point.

FixUse a warm greige or an off-white as the connecting hallway or trim color to bridge the temperature gap.
Pink-Toned Furnishings

Upholstery or rugs with rose or dusty pink tones can fight with a saturated red wall, making both look muddier than they are on their own.

FixAnchor the room with deep navy, charcoal, or warm camel textiles instead, which give the red something solid to lean against.
Very Low Natural Light

In a north-facing room with little window area, this color can read almost as a dark burgundy and make the space feel noticeably smaller and heavier.

FixIntroduce plenty of warm artificial light and keep large furnishings in lighter tones to counteract the depth.
FAQ

Common questions

The LRV is 15.53, which puts it in the dark range. At that reflectance level, a flat or matte finish will absorb even more light and give the color a moody, velvety quality. An eggshell will add a touch of sheen that helps the color stay lively. In high-traffic areas, eggshell or satin is the practical choice for cleanability, and the slight sheen also keeps the color from looking too heavy.

It can work on exterior shutters or as a full body color on smaller structures like a cottage or shed. On a full-sized house exterior, test it first because a very saturated red at this depth can feel overwhelming at scale. It tends to work best as an accent against neutral siding rather than as the dominant color on all four walls of a large home.

Deep, saturated reds are notoriously pigment-heavy and can require two full coats even over a tinted primer. Ask your paint supplier to tint your primer toward red before you start. Skipping that step often means a third coat is necessary to get even, streak-free coverage.

The Benjamin Moore code is 2003-20. The hex and RGB values render in the color specification block on this page.

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