Old Claret

Benjamin Moore2083-30LRV 14#974C64
LRV14 — dark
In the Room

What Old Claret Actually Looks Like

Old Claret is a deep, muted wine red that sits somewhere between burgundy and dusty rose. It carries real depth without going fully dark, landing in that range where a color reads rich in daylight and nearly enveloping at night. The dusty, slightly grayed quality keeps it from feeling bright or aggressive. It is a serious color with warmth behind it.

Undertone Read

Old Claret Undertones

The color carries clear berry and pink undertones beneath the red base, with enough gray mixed in to mute the whole thing toward wine rather than fuchsia. In lower light the pink recedes and the color reads closer to a classic claret or burgundy. In bright warm light the rosy quality comes forward a little more. It is not a cool blue-red and not a warm orange-red. It sits in its own middle ground.

Where It Works Best

Where Old Claret Works Best

Old Claret is rated for interior use. Its LRV sits well below the midpoint scale, which means it absorbs a lot of light. It works best in spaces where you want a deliberate, cocooning effect, and it benefits from being balanced with lighter trim or furnishings so the room does not feel closed off. A matte or eggshell finish will emphasize the dusty, velvety quality. A semi-gloss will deepen the wine tones and add some drama.

Room by Room

Where to put Old Claret

Dining Room

A dining room is one of the most natural homes for a color like this. It is a space used primarily in the evening, when the low LRV works in your favor rather than against it. Candlelight and warm overhead fixtures will bring the berry tones forward and make the color feel genuinely inviting.

Living Room Accent Wall

On a single wall behind a sofa or fireplace it adds weight and focus without committing the whole room. Keep the other three walls in a light warm neutral so the contrast does the work and the space does not feel smaller than it is.

Bedroom

In a bedroom the deep, muted tone is genuinely restful. It works especially well on all four walls in a room with warm lighting and light-colored bedding. Pair it with natural linen or warm white textiles to keep the palette grounded.

Powder Room

A small powder room is a low-risk place to commit to a color this deep. The lack of windows is not a problem here. It makes the space feel intentional and considered, and a single vanity light adds enough contrast to read the color well.

What to Pair With

What to Pair With Old Claret

No coordinating colors are listed in our database for Old Claret at this time. As a general pairing direction, it works well against soft warm whites on trim, warm taupes, aged brass or bronze hardware, and natural wood tones. Deep charcoal or black trim is another strong option if you want a more graphic, high-contrast result.

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What to Avoid

Colors that clash with Old Claret

Cool gray walls nearby

If Old Claret is used in one room and a cool blue-gray is in an adjoining open space, the pink undertones in Old Claret will look agitated and slightly off next to the blue-gray.

FixTransition through a warm neutral, a soft greige or warm white, in any connecting hallway or adjoining wall to keep the palette coherent.
Bright white trim

A stark, blue-white trim will pull the pink undertones in Old Claret in an unflattering direction and make the whole combination feel unresolved.

FixUse a warm white or a soft off-white on trim and moldings. The warmth in the white will let the wine tones in the wall color stay dominant.
Low-light rooms with no warm source

In a room with exclusively north-facing windows and cool daylight bulbs, Old Claret can read muddy and flat. The dusty quality becomes gray and the color loses its richness.

FixAdd warm-toned light sources, incandescent or warm LED bulbs in the 2700K range, to bring the red and berry tones back to life.
FAQ

Common questions

The LRV is 14.21, which puts it firmly in the dark range. It will absorb most of the light in a room. Plan for additional artificial lighting if natural light is limited, and consider lighter trim to provide contrast.

It reads as a deep wine red in most conditions. The pink quality comes from berry undertones that surface in warm or bright light. In low or cool light the color moves toward a more straightforward burgundy.

It can absolutely work on all four walls. The key is pairing it with lighter trim and furnishings so the room has enough contrast. It is a genuinely immersive color when used throughout a smaller room like a dining room or bedroom.

Matte or eggshell finishes bring out the dusty, velvety character of the color. A semi-gloss deepens the tone and adds visual richness, which works well in a dining room or powder room where you want a more polished result.

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