Interlude

Benjamin MooreAF-135LRV 38#B8A28A
LRV38 — medium-dark
In the Room

What Interlude Actually Looks Like

Interlude AF-135 is a mid-depth greige, sitting comfortably between taupe and gray. In a room with good natural light it reads as a warm, sandy beige with enough weight to feel grounded rather than washed out. Push it into low or artificial light and the gray pulls forward, giving it a cooler, more contemporary character. Morning sun makes it feel open and light. By evening, under warm incandescent bulbs, it settles into something deeper and moodier. It is not a pale neutral that disappears on the wall. It has genuine presence.

Undertone Read

Interlude Undertones

Two things are true about Interlude at the same time, and they depend on your light source. In natural daylight, especially in south-facing rooms, a warm beige undertone dominates and the color leans clearly toward taupe. In north light or after dark, a cooler gray aspect takes over. One source also flags a red-orange undertone that surfaces when adjacent trim, flooring, or warm artificial light pick it up. That orange cast is the variable most likely to surprise you, and it is worth testing a large sample next to your actual trim and floor before you commit.

Where It Works Best

Where Interlude Works Best

Interlude suits living rooms, bedrooms, and cabinetry particularly well. In bathrooms with white tile, marble surfaces, and brushed nickel fixtures it reads calm and spa-like. South-facing rooms with generous daylight let the warm taupe side shine. North-facing or windowless rooms lean into the grayer, more modern read, which can work well if that is the mood you want. It has enough depth to anchor a larger space without feeling heavy, and enough warmth to keep a bedroom from feeling cold.

Room by Room

Where to put Interlude

Living Room

This is one of the best applications for Interlude. The color shifts enough through the day to keep the room feeling alive, reading airy and warm in afternoon sun and settling into something cozier by evening. Keep trim in White Dove OC-17 to separate the planes cleanly. If your living room faces south, expect the warmest, most taupe-forward read.

Bedroom

The moodier evening shift works in your favor here. Interlude deepens under low artificial light, which contributes to a relaxed atmosphere. Pair it with soft linen textiles and warm wood tones to play up the beige side. If your bedroom faces north, the gray aspect will be more consistent throughout the day, which reads quietly contemporary.

Bathroom

With white tile and marble, Interlude reads like a warm backdrop that makes the fixtures pop without competing. Brushed nickel and chrome both work. Avoid very warm brass if you want to keep the orange undertone from amplifying. A bathroom with a window facing south will feel noticeably warmer than one with north or artificial light only.

Cabinetry

On cabinets, especially in a kitchen or bathroom vanity, Interlude in a satin or semi-gloss finish adds definition and warmth. The finish will intensify the color slightly, so the gray undertone becomes less prominent and the warm taupe takes over. Test it against your countertop material first, since stone with cool gray veining can pull the orange undertone out in a way that feels unintended.

What to Pair With

What to Pair With Interlude

Interlude layers well with other neutrals and takes contrast from deeper colors cleanly. The coordinating suggestions from research point toward White Dove OC-17 for trim and ceilings, Classic Gray OC-23 for a soft monochromatic stack, and Pale Oak OC-20 for a warmer adjacent tone. For contrast, Hale Navy HC-154 and Kendall Charcoal HC-166 both ground it sharply. Muted greens like October Mist 1495 work as accent pairings without competing.

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What to Avoid

Colors that clash with Interlude

The orange undertone catching you off guard

Interlude carries a red-orange undertone that stays quiet in some light conditions and becomes obvious in others. Warm incandescent lighting, orange-toned wood floors, or honey-colored trim can pull that undertone out strongly. What looked like a clean greige on the chip can read noticeably peachy or ruddy on the wall.

FixPaint a large sample, at least 12 by 12 inches, and look at it next to your actual trim and flooring under both daylight and your evening lighting before you buy a full gallon. If the orange reads too strong, look for a greige with a cooler, more neutral base.
North-facing rooms going too cool

In rooms with little or no direct sunlight, Interlude's gray undertone dominates and the warmth you saw on the chip or in the store mostly disappears. The result can feel flatter and cooler than you expected.

FixIn north-facing spaces, compensate with warm light bulbs and warmer textiles to bring back some of the beige character. Or lean into the cooler gray read intentionally and pair it with crisp white trim to make it feel deliberate.
Cool gray or blue-toned furnishings creating a muddy mix

Because Interlude straddles warm and cool, pairing it with strongly cool-toned furniture or cool blue-gray upholstery can create a muddy, undefined look where neither the wall nor the furniture reads clearly.

FixAnchor the room with either clearly warm accents or clearly cool ones, not a mix of both. Soft muted greens or warm whites keep the palette cohesive. Deep navy or charcoal contrast works well because the value difference is strong enough to avoid muddiness.
FAQ

Common questions

The precise LRV is 37.61, which puts it in the medium range. It is not a light neutral and not a dark accent color. It will read noticeably on the wall in any room, which means it works best when you want a color with real presence. In very small or low-light rooms it can feel heavier than expected, so test a sample before committing.

Both, depending on your light. In natural daylight and south-facing rooms it pulls toward a warm sandy taupe. In north light or under cooler artificial lighting the gray dominates and it reads more contemporary. The red-orange undertone is a third variable that can surface depending on what surrounds it.

For walls, eggshell is a practical choice that gives a slight sheen without highlighting imperfections. For cabinetry, satin or semi-gloss adds durability and makes the color read slightly warmer and richer. Flat or matte finishes on walls will give the truest, most relaxed version of the color.

Yes, but be thoughtful about the transition. Because the color shifts so visibly between warm and cool depending on light exposure, it can read quite differently in a sunny open section versus a shadowed hallway. Keeping trim consistent throughout helps unify the flow.

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