High Park

Benjamin MooreCC-620LRV 30#8C9985
LRV30 — medium-dark
In the Room

What High Park Actually Looks Like

High Park is a medium sage green with enough gray in it to keep it from reading as a pure plant green. It has an herbaceous, almost botanical quality that feels grounded and calm rather than bright or assertive. In full daylight it shows its truest green, and at night under warm artificial light it deepens into something closer to a forest tone, soft and enveloping. The muted quality means it reads with genuine depth without feeling heavy on the walls.

Undertone Read

High Park Undertones

The undertones here shift depending on your light source, and that is the most important thing to know before you commit. In north-facing rooms or under cool ambient light, a blue-gray undertone emerges that makes the color feel cooler and moodier. Under warm incandescent or amber lighting, the gray reads as warmer and the green comes forward in a deep, soothing way. In direct daylight it is closest to a true sage. Think of it less as a fixed color and more as a color that responds to its environment. It can also read as a grayish neutral with just a pop of color in rooms that do not get strong natural light.

Where It Works Best

Where High Park Works Best

High Park works in spaces where you want character without commitment to a loud color. Bedrooms and bathrooms are natural fits since the tranquil, muted tone keeps those rooms feeling restful. It performs well on cabinets and built-ins, where its depth reads as considered and intentional rather than flat. On exteriors it suits modern, cottage, and transitional styles, especially with textured siding. One honest caveat: this color will not brighten a dark room. If your goal is to add lightness, look elsewhere. If your goal is atmosphere, it delivers.

Room by Room

Where to put High Park

Kitchen

Use High Park on lower cabinets and pair them with white uppers to keep the kitchen feeling open. Black countertops and brass or bronze hardware work particularly well because the warm metal tones pull out the green while the black grounds the palette. Silver or stainless fixtures are also a good match given the gray undertone in the color.

Bedroom

High Park on a feature wall with a soft white ceiling and warm bedding creates a calm, enveloping space. If the bedroom is short on natural light, lean into that with warm bulbs rather than fighting it. Light wood accents keep the palette from feeling too cool. Gray-toned textiles like drapes or throw pillows read harmoniously with the wall color because they echo the undertone rather than clash with it.

Bathroom

Pair with white or off-white trim for airiness. White marble or light gray stone tile complements the muted sage without competing. Brass, bronze, or matte black fixtures all work. The color is muted enough that it reads sophisticated rather than loud in a smaller space.

Exterior

High Park reads well on exteriors paired with white trim for a clean, airy result. It suits a dark gray or charcoal roof without the combination feeling too heavy. On the front door, it pairs with white, gray, or beige siding and looks sharp with brass or matte black hardware.

Office or Built-ins

This color has a documented track record on built-in cabinetry and shelving in home offices. The depth reads intentional in a work space, and the muted tone is easy to spend long hours around. Pair the cabinetry with a lighter wall color to keep the room from feeling closed in.

What to Pair With

What to Pair With High Park

Benjamin Moore did not designate formal coordinating colors for High Park, but based on how the color actually behaves, a few combinations stand out. White or off-white trim is the most reliable partner across every application. On walls, a soft blue-gray wall color pairs well with High Park on cabinetry, a combination that has been used successfully in home offices. For hardware and fixtures, brass, bronze, and matte black all complement the green-gray without fighting it.

What to Avoid

Colors that clash with High Park

Cool north light can push it too gray

In a north-facing room the blue-gray undertone can become dominant enough that the color loses its green quality entirely and reads as a flat gray-green neutral.

FixIntroduce warm light bulbs and warm-toned textiles to pull the green back. Brass or bronze fixtures help anchor the warmth. Avoid cool white trim in these rooms, as it will amplify the blue-gray shift.
It will not brighten a dark space

High Park is a medium-depth color and is not recommended for rooms where the goal is to add lightness or make a small space feel larger.

FixReserve it for feature walls or cabinetry in darker rooms rather than painting all four walls. Use white or off-white on the ceiling and trim to keep some visual lift in the space.
Warm red or orange wood tones can clash

The gray-green base of High Park does not play well with flooring or furniture that has strong orange or red undertones, since those warm wood tones conflict with the cool quality in the paint.

FixStick to light or medium woods with neutral or cool undertones, or use rugs and textiles to create a buffer between the wall color and warmer flooring.
FAQ

Common questions

High Park's Benjamin Moore code is CC-620. Its hex is #8C9985 and its precise LRV is 30.43, which places it in the medium-depth range. It will not read as a light color in any real-world setting.

It depends on your light. In daylight it reads as a true muted sage green. In low or north-facing light it shifts toward a gray-green or even blue-gray neutral. Under warm evening light it deepens into a forest-like tone. It has been described accurately as a grayish neutral with a pop of color, which tells you how much the gray undertone can take over in the right conditions.

High Park reads slightly darker than October Mist, which was Benjamin Moore's 2022 Color of the Year. Both are in the muted sage family, but High Park carries more depth and weight. If you found October Mist a little too light or soft, High Park moves in the right direction.

Yes, it performs well on cabinets and built-ins. The muted depth reads as intentional and sophisticated on painted woodwork. In kitchens, using it on lower cabinets with white uppers is a reliable approach that keeps the space from feeling too dark.

Semi-gloss adds a subtle sheen that works well on cabinets and trim. For walls, an eggshell or matte finish keeps the color looking soft and even. A muted tone like this tends to absorb light in flat finishes, which deepens it further, so keep that in mind when choosing sheen for low-light rooms. The muted tone also does a good job of hiding minor wall imperfections, which is a practical bonus.

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