Bone Black

Benjamin MooreCW-715LRV 47#B9B8AE
LRV47 — medium-dark
In the Room

What Bone Black Actually Looks Like

Bone Black lands in that interesting middle ground where a color is neither light nor dark. From the RGB values you can see it is a balanced, slightly warm gray, close to the midpoint of the value scale. It reads as a calm, composed neutral with a muted, almost dusty quality. It does not shout. In bright light it can lift toward a soft greige. In dimmer rooms it settles into a more convincing gray with just a whisper of warmth. The name is historically grounded: bone black is an actual pigment made from charred bone, and the color references that tradition rather than delivering a true near-black.

Undertone Read

Bone Black Undertones

The RGB values show red and green channels nearly identical at 185 and 184, with blue a touch lower at 174. That gap is small but meaningful. It pulls the color faintly warm, nudging it away from a cool blue-gray and toward a gray with a slight organic, earthy quality. Do not expect a greige with obvious beige; the warmth is subtle. In cool north-facing light the warmth recedes and the color reads closer to a straightforward medium gray.

Where It Works Best

Where Bone Black Works Best

Because it sits right at the midpoint of the value scale, Bone Black is unusually flexible for trim, walls, or exterior applications. Benjamin Moore lists it for both interior and exterior use. On exterior woodwork it brings a historically appropriate, understated presence. On interior walls it works best in rooms that get decent natural light, since in a very dim room a mid-value warm gray can feel flat. It suits spaces where you want substance without committing to a true dark accent.

Room by Room

Where to put Bone Black

Exterior trim and siding

Bone Black was developed as part of the Colonial Williamsburg collection, and exterior use is where its historically grounded, slightly warm gray character reads most authentically. It works as a body color or trim color on traditional architecture and pairs naturally with off-whites and deeper charcoals from the same period palette.

Study or home office

At LRV 47.47, this color absorbs enough light to create a settled, focused atmosphere in a study without making the room feel cave-like. Use it on all four walls in a room with decent windows and keep ceiling and trim in a warm white.

Dining room

A mid-value warm gray works well in a dining room because candlelight and warm bulbs will bring out the subtle warmth in the color. The color holds its composure without competing with table settings or art.

What to Pair With

What to Pair With Bone Black

No coordinating colors are specified in the Benjamin Moore Colonial Williamsburg program listing for this color, so pairing recommendations below are based on general color principle and the character of the color itself.

What to Avoid

Colors that clash with Bone Black

Very cool blue or green walls nearby

The faint warmth in Bone Black will conflict with strongly cool adjacent colors, making both colors look slightly off rather than intentionally contrasted.

FixIf you are using Bone Black on trim or an accent wall next to another color, keep neighboring colors in the warm to neutral gray family rather than reaching for cool blue-greens.
Bright white trim

A stark cool white paired with a mid-value warm gray can make the gray look dingy by comparison, especially in photographs or in rooms with mixed light sources.

FixChoose a trim white with a warm or neutral base rather than a bright cool white. The contrast will still read clearly without making Bone Black look muddy.
FAQ

Common questions

The Benjamin Moore code is CW-715. The precise LRV is 47.47, which places it almost exactly in the middle of the value scale from white to black. Hex and RGB values are shown in the color spec block on this page.

Yes. Benjamin Moore lists Bone Black as available in both interior and exterior formulas, which makes sense for a Colonial Williamsburg color intended to be historically accurate on period buildings.

Yes, and this matters at mid-value. In a flat or matte finish the color looks softer and the warmth is more apparent. In an eggshell or satin the slight sheen increases the apparent depth and the color can read a touch darker and more gray. On exterior woodwork in a satin or semi-gloss it will look noticeably richer than the same color in flat.

Despite the name, it is not a dark color. It is a true mid-tone. In a well-lit room it reads as a medium warm gray with presence. It will not create the dramatic moody effect you get from a deep charcoal or near-black. If you want something darker, you need to move to a color with a lower LRV.

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